The Fab and I are big fans of prog rock - Yes, Jethro Tull, and the like. A fave, though, would be prog veterans King Crimson (known to their enthusiasts as ‘Crimso’). Fab will endlessly quote songs like “Epitaph” or “21st century schizoid man”. So, what’s there to complain about? Well, in 1974, ol’ Crimso called it quits, and then they resurfaced in 1981 with a new lineup, including the singer/guitarist Adrian Belew. They released an album called Discipline that year, featuring the lead track “Elephant talk”. Basically, the song is Adrian Belew pulling out his thesaurus and reading out all the words that have to do with talking. “Arguments! Agreements!” he yells, doing his best David Byrne impression1. Each verse features words starting with a different letter - “A”, “B”, et cetra. He even informs us of this extremely complex formula in the “D” verse, saying, “These are words with a “D” this time.” The only reason this song exists, and the reason for its title, is that Adrian Belew had cleverly found a way of making elephant noises on his guitar, and needed a way of showing this off.
Here in East Van, on
“This dust makes that mud”
“Tarantula” is a book by Bob Dylan - over one hundred pages of stream-of-consciousness writing. I remember the first time I opened it, being in awe of how little sense it seemed to make;
“Aretha / crystal jukebox queen of him & hymn….”2
I challenged The Fab to make sense of the book - huge mistake. He looked at it and went, “That doesn’t make sense! Bob Dylan is a crazy lunatic!!!!!!” All the time after that, virtually every time he came over, he would pull it out and say, “Okay, I’m going to make sense of this!!”, and naturally, he would just wind up getting more pissed off.
A band that I, myself, have never actually heard. The Fab makes them out to be absolute criminals, though. He says, “You have to hear them, so you can know what I’m going through!” I say, “Why would I want to do that?” He says that as long as I haven’t heard them, I’m not allowed to complain about him complaining about them. Along with My Chemical Romance, he is ready to complain about Fallout Boy, Panic! at the disco, +44, Blink 182, Angels and Airways, and so on, at any hour of the day. You may wonder how he even knows about all these bands that he despises so much. Well, that leads us to the final complaint, the root of all evil, the thing that every complaint he ever had will eventually trace back to….
Graham may seem like a normal guy; enjoys a laugh, has some hobbies, likes his friends. Little did The Fab know, Pure Evil lurked below that funny, slightly portly exterior. By The Fab’s account, one day Graham came up, shoved his ear bud headphones in his (The Fab’s) ears, and said, “Listen to this My Chemical Romance, isn’t it great?” He also subjected The Fab to all the bands I mentioned above.
Now, regardless of what he is complaining about, The Fab will almost invariably end his rants (which we’ll get to in a moment) with, “Ugh, I hate Graham!!” To sum it up, I’ll give you an analogy that The Fab makes often; if The Fab was Jerry Seinfeld, Graham would be Newman.
1: David Byrne was the singer from the Talking Heads. His style was less singing and more yelling in a sort of preacherly way. When David did his thing, it was original and witty. When Adrian Belew, who played guitar with the Talking Heads, ripped him off, he sounded like a jackass.
The Fab’s preferred medium to express these complaints it The Rant. The Fab is a master of the Rant, which is no small achievement - if you’re a bad Ranter, you’ll quickly bore your audience, and The Fab is no bore. His ability to segue from one Rant to another holds one’s attention, and he never runs out of things to complain about. The Fab is an actor, so he sometimes finds clever ways of Ranting in a certain character. The supreme example of this is the Great Peeping Tom, an artful conduit by which The Fab Rants about Gangsta Rap. Peeping, as he is sometimes called, is an unfathomably prolific white rapper, releasing a new album every five minutes or so (all of them concept albums). I remember his birth; we were playing video games in The Fab’s room, and suddenly, he began talking in Peeping’s imitable voice. “Ah kiwed a man when ah was six yeahs owd, y’undestan? Ah was inna stoodeeo, recoydin mah firs EP, anna recoydin engineeah disst mah rahms, so ah bit his heddoff, y’undestan. An dat became th issperation fo mah firs album: “Bitin’ a man’s head off in the studio”.
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